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Chopin – Works for piano and orchestra

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Cat. No. CDB014 – 1944314
Music disc: CD-AUDIO


Performers:
Ewa Pobłocka – piano
Krzysztof Jabłoński – piano
Orchestra Sinfonia Varsovia
Jacek Kaspszyk – conductor


CD content:

  1. Variations in B flat major on “La ci darem la mano..” from Mozart`s Don Giovanni Op.2 – 17'56″
  2. Fantasia in A major on The Polish Airs Op.13 – 14'22″
  3. Krakowiak, Concert Rondo in F major Op.14 – 13'49″
  4. Andante Spianato and Grande Polonaise in E flat major Op.22 – 13'59″

Total time – 60’47”


Prizes:


© ℗ 1999 Bearton

In stock

SKU: CDB014E Categories: ,

Description

In the brilliant style

Hats off, gentlemen, here is a genius! – this famous sentence belongs to R. Schumann in reference to the Variations based on the aria La Ci Darem La Mano from the opera Don Giovanni by Mozart. In making this comment, Schumann placed Frederick Chopin among the most outstanding composers of his day.

First Chopin’s composition for piano and orchestra, as well as other works included in this album represent a trend of concert music that was popular in the twenties and thirties of the 19th century. The trend was created by great pianists of post-classicistic period, and dominated by the brillant style. It’s characteristic features include: dazzling narration, perfection and performing technique showing bravado, effective soloist spectacle, as well as usage of forms that are virtuoso par excellance. Among such forms are: rondos, variations and fantasias in potpourri style.

Fascination with the brillant style is already visible in Chopin’s early solo works. It determines the form, character and style of the Variations Op. 2, Fantasia Op. 13, Rondo Op. 14 and Polonaise Op. 22 with Andante spianato. The compositions are written in four distinct genres, and they differ in character and expression, but at the same time they have many features in common. In accordance with preceded by an introduction and followed by a clear final part. Slower tempo and different metre usually characterize the introduction. The final part is separate or assumes the form of coda with the space for pianistic fireworks. An orchestra further strengthens such a shape of a composition. As the principles of the brillant style provide, the orchestra’s role is to accompany, and it only comes to the fore when the form is to be emphasized. However, the orchestra also has its great moments in Chopin, which are rare but exquisite (i.e. in Adagio, Variations, the sound of kettle-drums in meas. 4). In Concert Rondo Krakowiak, which is undoubtedly the most perfect Chopin rondo, the orchestra is an unquestionable partner of the piano. Here, it not only provides a background for themes and figures, but also emphasizes the rhythm and dance nature. It interrupts with effective ritornellos, supplements with the sound of horns and the wood, colors with the sound of the strings that play in turns legato or staccato, pizzcicato or arco.

Additional information

Weight 100 g

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