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MASTERPIECES OF GREGORIAN CHANT
Transcripted and edited by Jan Wêcowski
The
liturgical solo chant of the Roman Catholic Church perfectly fused such
achievements of antiquity as melismatic setting, syllabic recitative,
hymn metre, diatonic mode, antiphonal-responsorial singing and the
language of the Romans. Although it was constantly reformed and
enriched throughout centuries, a huge monolith of liturgical music has
been created. This kind of singing is known as plainsong, plainchant,
liturgical chant, or Gregorian chant. Gregorian chant has
played an important role in European music and culture. It was
cultivated not only in the Church, a but also in all schools from the
Middle Ages through the whole 18th century. Gregorian chant created,
cared for and protected by the Church, after the reform of liturgy by
the second Vatican Council in 1965 ceased to be the Church singing par
excellance. It became the property of the whole world of music lovers
who admire beauty and tradition.
This album presents the selected works (among other the oldest
preserved music piece in Poland) in a more free manner (introducing
female voices and the organ), but with a greater artistic perfection..
The official liturgical book Liber Usualis of 1951 has been our main
source of the presented works, arranged according to the traditional
Church year.
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